Chora Church Museum

The Turkish word Kariye is derived from the ancient Greek word Chora meaning outside of the city (land). It is known that there was a chapel outside of the city before the 5th century when the city walls were erected. The first Chora Church was rebuilt by Justinianus (527-565) in place of this chapel. In the era of Komnenoi, it served as the court chapel for important religious ceremonies, thanks to its nearness to the Palace of Blachernae.

Chora Church was destroyed during the Latin invasion (1204-1261) and repaired in the reign of Andronikos II (1282-1328) by the Treasury Minister of the palace, Theodore Metochites (1313). It was expanded towards north, an exonarthex was added to its western side and a chapel (Parecclesion) to its southern side, and it was decorated with mosaics and frescoes.

The mosaics and frescoes in the Chora Church are the most beautiful examples dating from the last period of the Byzantine painting (14th century). The characteristic stylistic elements in those mosaics and frescoes are the depth, the movements and plastic values of figures and the elongation of figures.

After continuing to serve as a church following the conquest of Istanbul in 1453, the building was converted into a mosque in 1511 by Vizier Hadim Ali Pasha. It was converted into a Chora Church Museum in 1945, and during the restoration in 1948-1959 carried out by the Byzantine Institute of America, the mosaics and frescoes were uncovered and brought to the daylight.

Open daily between 09:30-16:30

Dolmabahce Palace

Dolmabahce Palace was built by Sultan Abdulmecid (1839-1861) who was the thirty first Ottoman Sultan. The palace, whose construction commenced on June 13th, 1843, was brought into use on June 7th, 1856, upon completion of surrounding walls. The palace mainly consists of three parts, named as the Imperial Mabeyn (State Apartments), Muayede Salon (Ceremonial Hall) and the Imperial Harem. The Imperial Mabeyn was allocated for administrative affairs of the state, Imperial Harem was allocated for private lives of the sultan and his family and the Muayede Salon, placed between these two sections, was allocated for exchanging of bayram greetings of sultan with dignitary statesmen and for some important state ceremonies. The main building is three storey including the basement on the side which is parallel to sea and it is four storey at the land side involving the Harem quarters with the musandıra (garret) storeys. Evident Western influences, observed at the style, details and ornaments, are reflections of the esthetical values, changed through the last period of the Imperial. On the other hand, it is a building complex in which traditional Turkish House style was applied on a large scale with respect to space organization and relations between the rooms and salons. The outside of the building is mode of stone, the interior walls are made of brick and the floors are made of wood. Electricity and central heating were installed in 1910-12 to the place which is open to the contemporary technology. It has a usable floor area of 45,000 square meters, 285 rooms, 44 reception rooms and 6 hamams. ??? The Mabeyn in which the sultan carries out state affairs is the most important section of Dolmabahce Palace in terms of its function and magnificence. The Medhal Salon at the entrance, the Crystal Staircase serving as connection with the upper storey and carries protocol characteristics, the Süfera Hall where foreign ambassadors were entertained and the Red Chamber, used by the sultan for reception of the visitors, are all decorated and furnished in a manner emphasizing the historical magnificience of the empire. The Zülvecheyn Salon on the upper floor serves as an entrance to the apartment reserved privately for the sultan in the Mabeyn. In this apartment, there are study and rest rooms and a gorgeous hamam with marbles brought from Egypt, in which Sultan lives his daily life. The library located in the same section and which consists of the books of the Caliph Abdulmecid is one of the outstanding rooms. The Muayede Hall, situated between the Harem and the Mabeyn sections is the highest and most magnificent hall of Dolmabahce Palace. This hall apparently distinguishes from the other sections of the palace with its area exceeding 2000 square meters, 56 columns, a dome of 36 meters high and an English chandelier which is 4.5 tons. The chandelier of the Hall was ordered and bought from England by Sultan Abdulmecid. Although Dolmabahce Palace is one under Western influence and was constructed modeling the European palaces, attention was paid to build the Harem as a separate section -although not strictly as in the past- considering its functional construction and indoor structure. However, contrary to the Topkapı Palace, Harem isn’t a building or building complex, set apart from the Palace anymore; but it is a special living unit, placed under the same roof within the same building complex. Dolmabahce Palace, hosted 6 sultans at intervals and also the last Ottoman Caliph Abdulmecid Efendi from 1856 when it was put into service, until the abolition of the caliphate in 1924. The palace was used as Presidency office between 1927-1949. Mustafa Kemal Atatürk, the founder of our Republic, used Dolmabahce Palace for his studies at Istanbul between 1927-1938 and died in this palace. The Palace which was partially open to protocol and visits between 1926-1984 and was opened to visit as a “museum-palace” from 1984.

Topkapi Palace

After the conquest of Istanbul by Mehmed the Conqueror at 1453, construction of the Topkapı Palace was started at the year 1460 and completed at 1478 . Palace was built upon a 700.000 square meters area on an Eastern Roman Acropolis located at the Istanbul Peninsula between Sea of Marmara, Bosphorus and the Golden Horn. Topkapi Palace, was the administrative, educational and art center of the Empire for nearly four hundred years since Mehmed the Conqueror until Sultan Abdulmecid who is the thirty-first Sultan. Although Palace was abandoned by the Ottoman Dynasty by moving to the Dolmabahce Palace at middle 19th century, Topkapı Palace was protected its importance everytime.

After the establishment of the Republic of Turkey, Topkapı Palace, was transformed into a museum at the date April 3th 1924 and it was also the first museum of the Republic of Turkey. Topkapi Palace Museum is covering approximately 400.000 square meters at the present day. Topkapı Palace divided from the city from the land-side by the Imperial Walls which is made by Mehmed the Conqueror. It divided from the city also from the sea-side by the Byzantine Walls. Topkapı Palace is one of the biggest palace-museums with its architectural structures, collections and approximately 300.000 archive papers.

There are surroundings like gardens and squares around the Palace. Palace which its Main Gate located at the Hagia-Sophia side, has four courtyards which has passages between them. At the first courtyard, Hagia-Irene Church which was used as Armory and the outer service buildings like Mint, Oven and Hospital were located there.

Second Courtyard was the Divan Square (Square of Justice) that hosting the administrative buildings fort the Empire. This courtyard was also a ceremonial courtyard. Divan-ı Hümayun (Kubbealtı / Imperial Council) and Treasury of the Divan-ı Hümayun were located on that courtyard. Behind the divan structure, there is the Tower of Justice which represents justice of the Sultan. Dormitory of the Halberdiers with Tresses and the Entrance of Harem were also located at this courtyard. There are also Privy Stable structures at the same side around an inner courtyard. At the Marmara side of the Courtyard of Justice, there are the Palace Kitchens and additional service buildings. Babüssaade (Gate of Felicity) where coronation, funeral and festival ceremonies held is located at the Northern side of the Courtyard of Justice.

The third Courtyard (Enderun – Inner Palace) was the section that the Palace aghas were educated and assigned to high ranks of the State. It formed by the dormitories and the structures belongs to the Sultan. Hall of Audience where Sultan accepts viziers and ambassadors, Enderun Library which was constructed by the Sultan Ahmed III, Treasury of Enderun also known as Conqueror’s Pavilion, Privy Room (Chamber of Sultan) and the Aghas’ Mosque which was constructed for the Enderun aghas at the reign of Fatih are the important structures of this courtyard. Courtyard is surrounded by the Big and Small Room Wards, Expeditionary Force Ward, Pantries’ Ward, Treasure Ward and the Privy Room Ward which added to the Privy Room at the 19th century.

From the Privy Room, and the Enderun Courtyard, there are passages to the Imperial Sofa courtyard which hosts to the kiosks and gardens. At the Marble Terrace part of this courtyard, there are Revan and Baghdat Kiosks, Circumsision Room and the Iftaree Canopy. Under this terrace, there is a hanging flower garden which surrounded by wooden Sofa Kiosk and the Tower of the Chief-Physician. At the Marmara side of this garden, there are Sofa Mosque, Mecidiye Kiosk and Wardrobe Room. It also known that there are lots of kiosks and service structures at the Privy Gardens which surrounds the Palace in axis of Marmara, Seraglio-Point and the Golden Horn.